Shows Where the Bad Guys Have All the Fun

Jimmy McGill can turn one tiny shortcut into an operatic catastrophe—and make every step feel irresistible. The tragedy is knowing exactly where all that charm is headed.

Tony Soprano is a mob boss, family man, therapy patient, and world-class rationalizer. Few shows make monstrous behavior this funny, intimate, and impossible to dismiss.

Night City turns a reckless street kid into a chrome-loaded outlaw and makes the ride intoxicating. The fun is fast, violent, and built to end badly.

Harley ditches the Joker, assembles her own crew, and attacks supervillainy with the confidence of a chaotic startup founder. Crime rarely looks this colorful—or lands this many punchlines.

SAMCRO rides on swagger, brotherhood, and an astonishing supply of terrible decisions. The club's criminal empire is seductive right up until the consequences come roaring in.

Annalise Keating and her students treat murder cover-ups like the world's most stressful group project. The lies get bigger, the loyalties messier, and the twists gloriously shameless.

Nucky Thompson runs Prohibition-era Atlantic City with a politician's smile and a gangster's methods. Come for the champagne and tailored suits; stay for the exquisitely managed corruption.

A multimillion-dollar heist leaves a gifted con artist squeezed between the FBI and a crime boss. Lucky's only dependable escape route is more audacity.

Billy's journey from cowboy to notorious gunslinger gets the full romantic-outlaw treatment. History may call him a criminal, but the show knows charisma writes its own legend.