If You Liked Abbott Elementary

The Rookie takes workplace chaos to the streets with a comedy-drama beat that echoes Abbott’s optimism and everyday eccentricity—just swap kids for criminals.

The Bear’s kitchen is a pressure cooker of found-family feels, quickfire banter, and bruised hope; come for the food, stay for the unforgettable crew.

Rick and Morty offers a different style of ensemble antics—think faculty lounge on acid—but underneath the sci-fi chaos, it’s all about misfit bonds.

Only Murders in the Building is like Abbott with more bodies: whip-smart, self-aware, and powered by an unlikely team you’ll begrudgingly adore.

Love, Victor serves that same warm, awkward hug of self-discovery and belonging—high school drama with a knowing wink, rather than a condescending nudge.

Wednesday turns the outsider perspective up to eleven, spinning offbeat friendships and institutional weirdness into something wickedly funny.

Ted Lasso is what happens when sincerity goes nuclear—another fish-out-of-water surrounding himself with oddballs, and somehow making a team out of them.

Modern Family is ensemble comedy comfort food: relentless, relatable, and an absolute masterclass in wrangling chaos with heart.

The Orville is the staffroom of the future, balancing zippy character interplay and earnestness among a ragtag spaceship crew.

Hazbin Hotel goes full bonkers—imagine Abbott’s staff meetings if they were held in Hell, with sharp humor and a genuine softness under all the snark.

Futurama perfects the ensemble workplace sitcom in space, blending deadpan laughs, existential sighs, and that rare feeling of belonging on the job.

Bluey is technically for kids but radiates the same playful, uplifting group energy; it’s wholesomeness and wit without an ounce of condescension.